Tania flips through a book in the library's storage area. Much of her time on the job was spent reviewing books to make sure the school was adhering to new state content laws. She decided to look at photographs to see if she could spot Jerrie in Dallas, and came across the “anomaly” of the Babushka Lady. But she was happy; she technically denied being June, then proceeded to tell me lots of things about June that no one would know unless they worked closely with June or were June. It would have made for fascinating viewing, but the more time she spent with Cobb the more she began to suspect that something about her story didn’t add up.

Nothing about the laws, nothing about reviewing books, nothing about book bans at all. Tania scrolled through the questions and added one more. “What is your stance on Censorship?” she wrote, though she had no way of knowing whether it would be asked, or how the next librarian might answer. Monroe’s pose is focused and intimate. And there is something distinctly racy about the specific edition she is pictured holding. Monroe and her copy of Ulysses bring together two symbols of sexuality, transgression and American modernity. For readers in the 21st century, Joyce’s work is known as a modernist masterpiece. In the middle of the 20th century, however, it had not yet shaken off the scandal attached to its early publication history. Serial publication of the novel was halted in 1920 by an obscenity trial and copies of the first edition, published in Paris by Shakespeare and Company, imported to Britain and the United States were intercepted and confiscated. All we need to know here is the ominously Victorian name of the director of public prosecutions at the time: Sir Archibald Bodkin. His selective reading of the book’s final section was sufficient to convince him that Ulysses was obscene and therefore publication of it should be banned in Britain. Similar measures were taken in the United States. They would tell each other about the gifts people had made for them, the cards, the flowers, the cake, the lemon meringue pie. Last first period, last lunch period. Erin would tell Tania that her assistant principal asked her three times whether she had changed her mind about leaving. Tania would say her assistant principal asked her to say something on the systemwide radio, and what she said was “Mrs. G signing off. Media center closed until further notice.” They would sit in the store they had just leased, the crystal shop in Kissimmee that was becoming a bookstore. There were no books yet on the shelves, but there would be soon. Every book they could afford. Any book at all.Decades before the latest eruption of war in Israel and Gaza that began with Hamas’ Oct. 7 massacre — and well before Internet algorithms amplified misinformation — the Israeli-Palestinian conflict was already a source of confusion, competing claims, “Rashomon”-like narrative clashes. Even basic facts seem to defy confirmation or debunking. Morris, for his part, calls this magisterial memoir by the late Israeli novelist “brilliant (if overlong),” but its length is merited by the scope of Oz’s project — an early history of Israel nested inside a painful family story. Opening on the moment when the United Nations approved the Israeli state (when he was 8), Oz moves through his bookish, left-Zionist upbringing among immigrants from Eastern Europe and covers the lasting scars of his mother’s suicide — as well as the cultural legacy of the Holocaust. Natalie Portman directed and starred in a 2015 film adaptation. “A very personal memoir of growing up before, during and after 1948,” adds Gorenberg. If that were not startling enough, she also came to suspect that Cobb was a mysterious character known to Kennedy investigators as the Babushka Lady, who was the closest person filming the president at the moment he was shot, but who vanished after the assassination, along with her all-important footage. Finding the Babushka Lady (so called because of her triangular ‘babushka’ headscarf) and her close-quarters film of the fatal moment has been something of a holy grail for JFK investigators for the past 60 years.

To celebrate Joe Biden’s 81st birthday, Donald Trump released an alleged physical showing him to be healthy and in shape. “We all know Donald Trump is the picture of health. Specifically, the before picture,” Stephen Colbert joked on The Late Show. And sometime in the middle of all that, as she showed up every weekday at 7 a.m. and tried to focus on the job she had signed up for, which was, she thought, to help students discover a book to love, Tania could feel something shifting inside her 21st-century media center. The relationships between students and books, and parents and libraries, and teachers and the books they taught, and librarians and the job they did — all of it was changing in a place she thought had been designed to stay the same. Or follow me down the rabbit hole here … they were just white buses,” Colbert laughed. “There’s this thing called Occam’s razor, which is what I use to cut my ears off when Clay Higgins speaks.” I was worried enough that the Babushka Lady could be Jerrie that I confronted Jerrie,” she says. “It took me a while to be able to work up to the conversation with Jerrie and her answers to that conversation were not particularly reassuring to me.” Almost everybody has seen the Oliver Stone movie JFK,” she says, “and when I saw that movie [released in 1991] I came away thinking there’s probably a lot more to the story. I probably would have leaned – a lean, not a certainty – that there could be more to it. What that would look like I had no idea.”Arnold’s photo has long been considered a visual paradox, with its combination of high and low art, Irish laureate and Hollywood star, intellectual man and flibbertigibbet woman (in this, the composition finds an echo in Variety’s headline announcing Monroe’s marriage to Arthur Miller: ‘Egghead Weds Hourglass’). Many have struggled to imagine that Monroe could actually have been reading Ulysses, but Arnold’s account of how the photograph came into being sounds convincing: Monroe ‘kept Ulysses in her car and had been reading it for a long time: she said she loved the sound of it and would read it aloud to try to make sense of it – but she found it hard going.’ Her book even builds a convincing case for Jerrie being a CIA agent with the cryptonym QJWIN, whose role was to recruit killers for an assassination squad that originally targeted Congolese prime minister Patrice Lumumba.

The school was Mennonite, and conservative. There was no dancing. The Mennonite parents didn’t drink. But there was never censorship. The library had an aspect of calm, an expanse that opened itself up to Tania every time she entered. She saw books in English and Spanish and shelves of novels. “This is what the world is like,” she remembered thinking. One woman did come forward years later to say she was the Babushka Lady, and that two men claiming to work for the government took her camera away, but her claim was largely dismissed because the camera she said she was using was not invented at the time. The first is the 17th-century The Great Picture, produced for Lady Anne Clifford and now at Abbot Hall in Kendal. Clifford spent much of her adult life in legal battles for her Yorkshire inheritance. Her tenacity finally paid off and she celebrated her triumph by commissioning an extraordinary life-sized painting of herself, her parents and her siblings from an artist thought to be Jan van Belcamp. She says that while she cannot be certain who the Babushka Lady is: “I am certain that the Babushka [Lady] is an under-researched character, that she was completely overlooked. If that happened today there would be a manhunt for her and you would expect to see the footage.”I wish I would take more joy in this moment, I do take a sense of relief and satisfaction that I’m at the end, but it wasn’t something I relished. I just felt an obligation to tell a difficult story.”

Jerrie’s explanation for what she was doing there stretched credibility to the limit: she said she had been hired by Life magazine to fly a reporting team to Dallas to cover the presidential visit, but that when they heard he had been assassinated they abandoned the assignment and left. The late, Palestinian Christian-born scholar of anticolonialism wrote several influential volumes on conflicts around the world, including a memoir, “ Out of Place.” Hammad particularly recommends this 1986 book, “a long essay accompanied by and responding to a series of photographs of Palestinians by the Swiss photographer Jean Mohr. This book explores the multifariousness of Palestinian experiences with tenderness and insight.” Adina Hoffman, author of “Till We Have Built Jerusalem: Architects of a New City,” calls this Said’s “least outwardly polemical work, though it’s among his most persuasive, and moving ... searching essays about what might be called the varieties of Palestinian experience.”

Morgan believed the forgotten library book had been absorbed into the family's collection

Her answers were bizarre, off the rails,” she says. “She seemed first of all thrilled that I had found June Cobb. I expected her to walk out in a huff that I was looking into this or I had come up with a wild theory. Tania had planned to spend the rest of her career in the Osceola County School District. She was 51. She could have stayed for years at Tohopekaliga, a school she loved that had only just opened in 2018. The library was clean and new. The shelves were organized. The chairs had wheels that moved soundlessly across the carpet. The floor plan was open, designed by architects who had promised “the 21st century media center.”